Sound Engineering

Practical: A Vocal Production from Start to Finish

Garnish Music Production School·December 11, 2024

This is the practical for the module: a full vocal production, from setting up the session to a mixed vocal sitting in a finished track. Work through every stage, and keep notes of your decisions.

The brief

Choose a song - your own, a co-write, or an agreed cover - with at least a verse, a chorus and a final chorus. Work with a vocalist if you can; record yourself if you must.

Stage 1: Preparation

  • Session template ready: tracks, markers, headphone mix with reverb.
  • Key confirmed for the singer's range.
  • Lyrics printed and laid out by section.
  • Microphone chosen and positioned; room treated as well as possible; pop filter in place.
  • Gain set from the loudest part of the song.

Stage 2: Recording

  • Warm-up done before recording.
  • At least three full takes of every section.
  • Punch-ins for problem lines.
  • Doubles of the chorus lead.
  • At least one harmony, doubled.
  • A backing vocal pad or call-and-response part.
  • Ad-libs for the final chorus.

Stage 3: Editing

  • A comp of the lead built from the best phrases, with crossfades on every edit.
  • Breaths kept but controlled; noise between phrases cleaned.
  • Doubles and harmonies aligned to the lead.

Stage 4: Tuning

  • Lead tuned transparently with a graphical tool, vibrato and transitions preserved.
  • Backing vocals tuned and aligned.
  • A written note of at least one note deliberately left untuned, and why.

Stage 5: Processing

  • Lead chain: high-pass, subtractive EQ, compression (serial if needed), additive EQ, de-esser.
  • All backing vocals routed to a bus, compressed, EQ'd and de-essed as a group.
  • One creative effect used on purpose in one section.

Stage 6: Mixing

  • Lead vocal ridden through the whole song.
  • Reverb and delay sends set up, with pre-delay, EQ and ducking.
  • Stack panned and balanced behind the lead.
  • Mix checked quietly, in mono and on a phone speaker.

What will be assessed

  • Performance - did you get a confident, emotional take?
  • Technical quality - clean recording, no clipping, controlled noise and plosives.
  • Editing and tuning - natural, inaudible, musical.
  • Arrangement - backing vocals that support and build.
  • Mix - intelligible, present, polished, translating across systems.

Do this now

  • Choose your song and book your vocalist.
  • Build your session template today.
  • Write the backing vocal arrangement plan before the session, so you know what to record.