
Written On Record Store Day by Devious Soul There was a time when the happiest days of many a DJs life was getting home with a fresh stack of unopened wax. Carefully selecting the tunes in the record shop, ensuring you had enough cash for the double pack, wondering what treasures were lurking under
Read →When I very first started in the early-nineties, we all used Atari STs with a whole 512k of Ram for sequencing MIDI and not much else. All the audio was dealt with using 24 track 2" tape, with up to 3 slaved together synchronised using lynx synchronisers. Back then for sampling, we had the classic A
Read →Devious Soul interviews DJ/Producer Bodyjack (formerly Chris Finke) UK DJ & producer Chris Finke joined us for a little bit of a Q&A to find out a bit more about his latest moniker ‘Bodyjack’. A former UK DMC finalist and resident at techno institution Atomic Jam, Chris has been around the dance mus
Read →Native Instruments NYC User Group Meeting The first Native Instruments user group at Garnish Music Production School in Downtown Brooklyn was a well rounded mix of product information, live performance and music business discussion. The setup combined the Jam with the MK3 and the MK2 keyboard. Each
Read →Creative EQ Tips by Katie Gilchrest Generally, engineers use equalization (EQ) in one of two ways: corrective or creative. If there is a problem in the recording, perhaps a dull sounding room or sample, it is acceptable to use EQ to brighten up the sound. Sometimes poor mic placement or room modes i
Read →A Kontakt instrument built from struck and bowed metal - ethereal textures and tonal percussion, with a Forge morph knob for blending presets.
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