Post Production - Mixing and Sound Design for Film and TV
Post Production - Mixing and Sound Design for Film and TV | LIVE Online
Your Instructor: Herwig Maurer (a.k.a. Agent H)
Post Production - Mixing and Sound Design for Film and TV
36 Hours | $1099 + $100 Registration
Use the ‘CONNECT’ button below to request schedule information for our classes. One of our placement experts will follow up within a business day. For one-to-one lessons, see Mixing and Sound Design for Film and TV Private Instruction, and connect with a specialist on that page.
Introduction to Audio Post Production for Film & TV:
- →Understanding the role and importance of sound in film and television.
- →Overview of the sound post-production process.
Post Production Sound Theory and Terminology:
- →Understanding the different types of sound (dialogue, Foley, sound effects, music) and their roles
Case Studies and Analysis:
- →Analyzing and discussing sound design in famous film and TV scenes.
- →Learning from successful sound design projects.
Industry Tools and Software:
- →Familiarity with sound editing software like Pro Tools, Sound Miner, etc.
- →Using plugins and audio processing tools.
Dialogue Editing:
- →Cleaning and enhancing dialogue recordings.
- →Syncing dialogue with on-screen visuals.
- →ADR (Automated Dialogue Replacement)
Effect Editing Pt1:
- →Ambience and Atmosphere
- →Immersive soundscapes and environmental sounds
- →Balancing ambience with dialogue and music
Effect Editing Pt2:
- →Sound Effects and Sound Design
- →Using and building Sound libraries
- →“Hard EFX” vs Sound Design
- →Designing and manipulating sound effects to enhance the storytelling.
- →😎 Foley
- →Recording & Editing Foley
- →History of Foley
- →Creating and recording Foley sounds for adding realism and depth to the audio.
- →Syncing Foley with the visual action on screen
Music in Film & TV:
- →The role of music in creating emotional impact.
- →“Source” music versus Score
- →Collaborating with composers
Collaboration and Communication:
- →The Audio Post team – individual roles
- →Working effectively with directors, producers, and other team members
- →Understanding the creative vision and incorporating feedback
Sound Delivery and Format Considerations:
- →Preparing soundtracks for different distribution formats (theatrical, TV, streaming).
- →Complying with broadcast loudness standards.
Final Projects and Feedback:
- →Students work on their audio post projects.
- →Receiving feedback and guidance from instructors for improvement.
This course is available live online, taught in real time by Garnish instructors from across our network of campuses, in the same small-group format as our in-person classes, using our specialist music collaboration software, Muse. Discover qualities that distinguish us, here.
Questions we hear a lot.
36 hours, live online.
Herwig Maurer, a.k.a. Agent H, a working post-production mixer and sound designer.
Use the Connect button on this page; one of our placement experts will follow up within a business day.
$1,099 plus a $100 registration fee.
Both: producers and engineers moving into post-production for film and TV, and anyone who wants to learn to mix and design sound to picture.
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Modulation
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