
36 Hours | $1099 + $100 Registration
Use the ‘CONNECT’ button below to request schedule information for our classes. One of our placement experts will follow up within a business day. For one-to-one lessons, see Mixing and Sound Design for Film and TV Private Instruction, and connect with a specialist on that page.
This course is available live online, taught in real time by Garnish instructors from across our network of campuses, in the same small-group format as our in-person classes, using our specialist music collaboration software, Muse. Discover qualities that distinguish us, here.
36 hours, live online.
Herwig Maurer, a.k.a. Agent H, a working post-production mixer and sound designer.
Use the Connect button on this page; one of our placement experts will follow up within a business day.
$1,099 plus a $100 registration fee.
Both: producers and engineers moving into post-production for film and TV, and anyone who wants to learn to mix and design sound to picture.
There are many ways to access the power of filtering, but probably the easiest is to use a plug-in. Logic’s AutoFilter is a good example of Emagic’s…
Read →Beyond chorus and phasing: ring modulators, frequency shifters, Leslie cabinet simulation and auto-panners, and where each one belongs.
Read →We have discussed the most common modulation effects such as chorus, flanging and phasing. Now it is time to investigate other modulation effects.
Read →How filters shape a sound - low-pass, band-pass, comb and notch - plus resonance, envelope control and using filters creatively in a mix.
Read →What separates a phaser from a flanger, the parameters that matter on each, and how to use them without wrecking your mix.
Read →Gain structure, why faders belong near unity, and how side-chain routing works - the plumbing that everything else in a mix sits on.
Read →