
It's all very well knowing how to make a synth sound great, but most musicians would argue that the notes you send to it are much more important. It's not a competition, but you should really have a good idea of both if you wish to take giant leaps in the direction of producing the music you love in-person in New York or Live Online.
This course is available live online, taught in real time by Garnish instructors from across our network of campuses, in the same small-group format as our in-person classes, using our specialist music collaboration software, Muse. Discover qualities that distinguish us, here.
The notes rather than the sounds: arranging, harmony and the compositional choices that make a production work, whatever the genre.
Arranging mastery and the compositional side of production - the notes you send to your instruments, not just how the instruments sound.
Use the Connect button on this page to request the current schedule and price; one of our placement team will reply within a business day.
In person in New York, or live online.
Both - producers who want stronger musical ideas, and musicians who want to bring their playing into production.
The Chord Memorizer in Logic's environment layer, and how to use it as a shortcut for writing chords.
Read →A music production college once asked me to teach music theory and composition - chord progressions, keys and scales, from the ground up.
Read →Music theory practice, part two: major, minor and extended chords on the keyboard, and how to voice them.
Read →A last day with a songwriting and composition class - chord sequences, melody, structure, rhythm, lyrics, arrangement and bass lines.
Read →There are hundreds of songwriters out there, but some of them are much better than the others. One of the main reasons for that is that successful songwriters are able to create radio-friendly songs. In the past, songwriters were relying solely on their senses and talent. Of course, these two things
Read →The sound of modern drums in rock, pop, and electronic music very rarely embodies the natural range that acoustic drums are capable of. This is most often due to the application of compression, adding punchiness, energy and consistency to a drum track.
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